Showing 1–16 of 19 results
The ARRI EF Lens Mount can be used with cine-style or still photography EF-mount lenses, increasing your choice of lens options for your ALEXA Mini or AMIRA camera.
This mount enables you to electronically control the iris of an EF-mount lens via the ALEXA Mini or AMIRA camera’s interface.
The ARRI LPL Lens Mount enables you to attach an LPL-mount lens to an ARRI ALEXA Mini or AMIRA camera. Compatible with the ARRI large-format Signature Primes and future LPL-mount lenses, this mount transmits ARRI LDS-1, LDS-2, and Cooke /i Technology lens data from compatible lenses.
The LPL lens mount features a wider diameter and requires a shorter flange focal depth than the original PL mount. Three blue levers on the LPL mount distinguish it visually from a standard PL mount.
The ARRI PL-to-LPL Lens Adapter enables you to attach a PL-mount lens to the ARRI ALEXA LF camera. Compatible with any PL-mount lens, Super 35 or full-frame, this adapter can be securely fastened to your lens without the use of tools.
The Canon CN-E 14.5-60mm T2.6 L SP Cinema Zoom Lens with PL Mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style-servo zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with Super 35 sized sensors and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team. The lens features a 20x optical zoom and a focal length range of 50 to 1000mm with a maximum T stop of 5.0 at the wide end. The lens features a built-in 1.5x extender providing a 75 to 1500mm zoom range, capable of supporting 4K resolution.
The lens features 180° of focus rotation for precise focus pulls and is marked in both feet and meters. The detachable drive unit, can be removed and reattached with the zoom in nay position, requiring no re-calibration. It also supports motorized zoom speeds ranging from 1.5 seconds to 180 seconds to zoom throughout the entire range. The zoom control includes a mini-LCD that displays zoom, focus, and iris setting. The lens mount supports electronic signal pass through, supporting EOS lens data management functions. The built-in, 12-pin connector allows you to interface this lens with standard broadcast connectors. The 11-blade iris creates circular out of focus highlights and a natural looking Bokeh.
The Canon CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount joins the ranks of other Canon Cinema lenses that are engineered to serve the high-performance demands of the production community. Designed to work with 4K-resolution (4096 x 2160 pixels) cameras this EF mount lens surpasses the performance requirements of any HD imaging system. The CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount also offers compatibility with industry-standard Super 35mm-equivalent image format as well as APS-C-size sensors. Plus the versatility of the PL mount version provides great flexibility for a production, because it allows it to choose from several different motion picture cameras instead of being relegated to just one camera, options are always better.
The CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount offers a bright f/2.8 maximum aperture allowing for use in even very low lit scenes. And with no changes in brightness during zooming, these lenses enable attractive bokeh (the way the lens renders out-of-focus points of light) when employing a shallow depth of field. And with a very low M.O.D. (minimum object distance) of 19.68″ (0.5 m) this lens makes it possible for you to shoot tighter close-ups and assist in shooting in limited space environments. This makes this lens an attractive option for a production that will be shooting in various locations both in the field and on stage.
Additionally the CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount features fluorite and large aspherical lens elements to achieve sharp, consistent images throughout its zoom range. This is beneficial because it offers peace of mind to the user that the image will stay consistent and sharp throughout, eliminating the need to as they say in the business, “we’ll have to fix it in post”. The lens also is equipped with control rings designed to maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism to meet numerous production application needs. The 11-blade aperture diaphragm also ensures smooth out-of-focus areas (attractive bokeh), while innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. This feature will be very beneficial to all those productions that shoot on stage under bright hot production lights. The CN-E 15.5-47mm T2.8 L SP Wide-Angle Cinema Zoom Lens with PL Mount also incorporates geared inner focusing to minimize focus-induced changes in the angle of view, reducing focus breathing virtually to zero.
The Canon CN-E 30-300mm T2.95-3.7 L SP PL Mount Cinema Zoom Lens is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a EF mount, including Canon’s EOS C300. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.
With a focal length range of 30-300mm, the 10x cinema zoom lens is designed to cover the longer end of the focal lengths typically required by cinematic productions, and its maximum telephoto length of 300mm puts it among the best in its class. (The other zoom lens in the line, the CN-E 14.5-60mm T2.6 L S, covers the wider end.) Maximum aperture is a relatively fast T2.95 throughout much of its range, and the 11-blade iris enables a smooth bokeh for out-of-focus areas of the frame.
The lens was designed with working professionals in mind, with easy-to-read focus, zoom, and iris markings engraved into angled surfaces on both sides of the lens, so you can read the setting from either side of a camera – or from behind it. Depending on the production’s needs, focus markings can be switched from standard to metric. The lens facilitates manual operation that’s subtle, smooth, precise, and repeatable. Control rings are designed to provide and maintain the proper amount of resistance so you can operate with a consistent torque. The focus rotation angle is about 300°; for zoom, it’s approximately 160°.
The CN-E 30-300mm T2.95-3.7 L S lens complements the other lens in the line in more ways than just focal length range: Their shared 136mm front diameter, gear positions, and rotation angle make them almost “hot-swappable” when they’re used with a shared matte box or follow focus.
Designed and built to deliver optimum optical performance at wide open, the Leica 100mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 135mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 16mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 18mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 21mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 25mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 29mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 35mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 40mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 50mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.