We at APETech work with agencies and brands to create extraordinary content at any budget level. We have the ability to serve the needs of television, film and media-related productions of any size or caliber. From interviews & testimonials to brand films we can provide you with the best cinematic image.
Designed and built to deliver optimum optical performance at wide open, the Leica 65mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Designed and built to deliver optimum optical performance at wide open, the Leica 75mm T1.4 Summilux-C Lens is part of the C.W. Sonderoptic line of Summilux-C cinema lenses. The Summilux-C lenses all feature a minimum image circle of 33mm, so they each comfortably cover Super 35 without corner softness or darkening. It features a titanium PL mount, a cam driven focus mechanism, and the focus scales are marked in feet. The T1.4 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summilux-C lenses. Each lens incorporates cine-style geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.
The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. The 300° of focus rotation provides for accurate focus pulling, and the focus markings from 6′ to infinity are consistent across focal lengths. Front filters with a special 92.5mm threading can be mounted on this lens. All focal lengths in the Summilux-C line up can mount a rear net with an available (but not included) rear net holder. Except for the 135mm, the 95mm diameter front is standard across all Summilux-C lenses. The 16mm lens weighs only 3.8 pounds.
Add metadata capture to your full-frame cinematography with the Cine FF High-Speed Art Prime 7-Lens Set from Sigma. These PL-mount lenses support the display and recording of lens metadata like focus distance, focal length, aperture setting, and other factors crucial to VFX and other exacting setups. Features include fast T1.5 or T2 maximum apertures and focus marks in feet. This set includes 20, 24, 35, 50, and 85mm T1.5 FF primes, and 14 and 135mm T2 FF primes.
